Cast a Giant Snowjob

Cast a Giant Shadow starring Isadore Demsky (Kirk Douglas) has his snowjob Jewish routes awakened in this one. Not even 5 minutes into the movie Isadore is reminded that 6 million of his Khazar kin were gassed in Aushvitz and his service is needed in the new Jewish state his forefathers had nothing to do with on-screen or off. The regular sold out fool actors were involved, John Wayne, Frank Sinatra were there to bring some kind of credibility to this story (of course we have no reason to ever doubt Jews).
One James MacAfee pops onto the scene and helps the Jews only MacAfee is a Scottish officer from Scotland. You have to wonder how such a name popped into a movie like this.This movie was written and directed by Melville Shavelson (you can call him Mel) in case I didn’t mention it yet.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
I thought it would be appropriate to interrupt this message and bring the readers up to date on the Mel Gibson movie production of Judah Maccabee. Mel Gibson has entered into an agreement with Warner Bros. to produce this movie.
Warner Bros. History
.

1903–25: Founding

The corporate name honors the four founding Warner brothers (born Wonskolaser)[2][3]Harry (born Hirsch), Albert (born Aaron), Sam (born Szmul), and Jack (born Jacob), whose parents had emigrated to North America from Poland, which was at that time part of the Russian Empire.

Since then you can only imagine the cacophony of Jewish companies that merged in with this train of misinformation and overall slime of historical world events that has zero signs of ever stopping on its own.

Lethal Weapon was a Warner Bros. production (no doubt Mel was kissing their arses then as he is now). My favorite part is when Marty Riggs (Mel) comes up to Murtagh like some puppy dog and says with an added Australian accent “When I was 19, I did a guy in Laos from a thousand yards out. It was a rifle shot in high wind. Maybe eight or even ten guys in the world (wald) could have made that shot (shawt). It’s the only thing I was ever good at.”

Its thee only thing I was ever any good at mate, shootin people I can hardly see. Aim small miss small because, well thats what Hymie wants.

He had Murtagh and you going there for a minute (pssst he’s 5 foot 8 in workboots). He gave Jesus a hooked nose and if you don’t know the damage of that you are completely hopeless. I can pick off (spot) a hooked nose from 1200 meters in a hurricane. Meters is generally the distance one uses in marksmanship btw, but Mel knew folks could relate to football fields and of course only plays soldiers on the Talmudical stage and screen.

I am waiting for the Jewish women in his movies to get hooked noses. Hey they gotta be comin from somewhere and certainly they deserve a movie don’t they?.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Now back to the eh ehh show.

Isadore Demsky and the bald-headed Yul Brenner overhear Jews singing going by in busses and Izzie asks “What are they singing?” Baldy Brenner says “they are singing the same songs they sang on line to the gas chambers in Aushvitz and the other camps, that they would be in Jerusalem tomorrow”. This of course we have to take as gospel truth as well. Of course Izzie and Baldy are just actors not Holocaust historians and to be even more credible they are both lying Jews in real life as well (Khazars). Somehow these Jews were at the end of the line for the gas and all lucked out. All Jews were on that line to the gas chambers in the movies or had parents that were.

You think Warner Brothers would do a movie on the other side of the story? The truth is you wont see any movies that go against the grain of Jew lies at all. Those lies just keep getting more and more difficult to defend and when they fall apart it will take everyone entangled with them along with it (we have the films to prove it too). The Jewish brainwashing isn’t working anymore. The charade is over and it’s just a matter of time and a little pushing this web of Jew lies off the face of the earth.

Wish I could tell you more about the middle of this movie, but I was snowjobbed to sleep. It’s not easy uncovering Jew lies, but someone has to do it.

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38 Responses to Cast a Giant Snowjob

  1. GTRman says:

    BBC1 : “The One Show ” 7pm ( asinine magazine programme ):

    Jew Carole King promoting her Christmas album ” Christmas Carole “, which features a new ” Christmas ” song : ” Hanukah Prayer ” .

    Also featured : A “special report ” about the jew Paul Simon , with nods to the jew Garfunkel .

    Earlier : ” Loose Women ” , with guest jew Ruby Wax . Followed by 6 episodes of jew Judge Judy .

    This is England ,2011.

    Cameron , our jew prime minister

    Ed and David Milliband , our jew opposition

    Jon Bercow , our jew “Speaker of the House ”

    Mervyn King , our jew Bank of England boss

    Lords Levy , Mandelson , Howard , Sugar , Ashcroft , Lawson ,etc etc etc …..

    nothing new of course :

    ” In 1847, his uncle Anthony Nathan de Rothschild (1810-1876) was created 1st Baronet de Rothschild, of Tring Park. Because Anthony had no male heirs, on his death the baronetcy passed to his nephew Nathan Mayer Rothschild. In 1885, he subsequently became a member of the House of Lords and was created Baron Rothschild, of Tring in the County of Hertford, in the Peerage of the United Kingdom. He also was Baron (Freiherr) von/de Rothschild, of the Austrian Empire, a nobility title he had inherited via his father.

    Lord Rothschild was the first Jewish member of the House of Lords not previously converted to Christianity. (For example, Benjamin Disraeli had been created Lord Beaconsfield in 1876, but was baptized into Anglicanism at age twelve.) The peerage was inherited by his son Lionel Walter Rothschild, 2nd Baron Rothschild.” ( wiki )

    ” Lord Justice Sir Brian ” Levenson is in charge of the current enquiry into press corruption .

    Irony , dont you love it !!

    ” Public inquiry into media behaviour
    Main article: Leveson Inquiry
    It was announced on 13 July 2011 that Leveson would lead the public inquiry into issues of media regulation raised by the News International phone hacking scandal.[5] On 20 July, Prime Minister David Cameron announced that the scope of the inquiry had widened to include the BBC and social media.[17][18]

    It was subsequently reported in the media that Leveson had attended two parties in the prior 12 months at the London home of Matthew Freud, a PR executive married to Elisabeth Murdoch, the daughter of Rupert Murdoch.[19][20] These revelations led to a number of Labour MPs calling for Leveson to be removed from the Inquiry.[21][22]

    [edit]Personal life

    Leveson and his wife Lynne, who is also from Liverpool, are devout Jews.[23][24] The couple have three children and live in London.”
    http://en.wikipedia.org/wiki/Brian_Leveson

    More here , if you can take it . A few surprises …

    http://en.wikipedia.org/wiki/Category:English_Jews

    • melgibstein says:

      In the USA we have prison channels (where you will end up if you tell the truth about Jews). We have Jews dressed up as Muslim terrorists calling for jihad (Adam Gadahn, Joseph Cohen, etc), Jews telling us the state of our economy, who to vote for, what to eat, where to shop. The whole thing is a jew program. We are just watching this garbage instead of bumrushing them and tossing them out. Its like a Marx Bros. football movie with a bunch of lemmings sitting next to you.

    • こまねこ says:

      Re “Leveson and his wife Lynne…are devout Jews” :

      They make matzohs out of little Christian babies!?

    • こまねこ says:

      The “English Jews” list has one of my all-time favourites — Shore now if it isn’t that Paddy’s Paddy, good old Bud “Dads Army” Flanagan — otherwise known as the greener-than-green Chaim Reuben Weintrop.

      “Flanagan”s parents, Wolfie and Yetta, “were married in the city of Radom, Poland, and fled to Łódź on their wedding day to avoid a pogrom.” !!!

      Wolfie and Yetta Weintrop intended to “escape” to America, and paid for a ticket to New York, but “a dishonest ticket agent” [no doubt a KIKE!] gave them a ticket to London. Oy vey, the suffering never ends!

      Ohhhh … who do you think Jews are kidding, Mr Weintrop?

    • こまねこ says:

      They seem to have forgotten powder-boy Cameron and his “opponents”, the Milibands, in their list.

      And that great artiste, Malcolm McLaren.

      I was shocked to discover that the Rotschilds are Kike!

      Ahh, “Young Soul Rebel”, Sista Sophie Okonedo, OBE, a Christ-Killer?

      Yes, Every Africa Must Be Free Eternally!

      • こまねこ says:

        No doubt Lady Okonedo was awarded her OBE for her stellar performance as The Wachati Princess in Ace Ventura: When Nature Calls.

    • こまねこ says:

      Strange they mention wee Seamus McKosherCartney, but forgot his stunningly talented sister Stella. I’m still waiting for the old Kike-Fucker McCartney to sing, “Give England Back To The English.”

    • こまねこ says:

      So sad that the Americans have forgotten their Kike Emperor!

      http://en.wikipedia.org/wiki/Emperor_Norton

  2. GTRman says:

    Mel , I may have mentioned Trevor Lynch ‘s movie reviews before . They are addictive !!

    Why I Write
    Trevor Lynch

    ” Why do I write movie and television reviews from a White Nationalist perspective? It’s complicated.

    First and foremost, I write because I love film. I think that film is the realization of Richard Wagner’s idea of the “complete work of art” (Gesamtkunstwerk), a form of art that incorporates all other art forms: music, dance, acting, sculpture, painting, architecture, etc. Film better realizes Wagner’s ambitions than opera, since film can show things that opera merely tells.

    By integrating so many art forms, film can communicate more, and more deeply, to more people, than any single art form. (The same is true of television. The screen is just smaller.) I loved film long before I became a White Nationalist, and I had been intending to write a book on David Lynch before I had my political awakening.

    Second, I write because movies are a force. They are the greatest tool ever invented for shaping people’s ideas and imaginations. In the right hands, they can be a force for good. In the wrong hands, they are a force for evil. Unfortunately, the film industry in the United States and Europe is overwhelmingly controlled by an alien and hostile people, the Jews.

    Jews use movies as a tool to promote ideas and values that are destructive of my race and civilization: race-mixing and multiculturalism, white guilt and self-hatred, feminism and emasculation, the valorization of Jews and non-whites, etc. Film reviews are one way that I can fight back.

    But I am often asked, “If the movies are full of anti-white propaganda, why not just boycott them altogether—and encourage others to do so as well? If you believe that Jews are using movies and television as tools of genocide against our race, then it is wrong to watch them, encourage others to watch them, or give the people behind them a single dime.” I reject this argument for three reasons.

    (A) A complete boycott of movies and TV would be a quixotic and futile gesture. Boycotts only work if there are numerous participants who can monitor each other to enforce compliance. If I boycotted movies and TV, I would be the only one. Nobody would join me, and if anyone did join, they would cheat. They would enjoy warm feelings of righteousness for a few minutes, then reach for the remote.

    (B) Moreover, movies and television are so much a part of people’s lives that any White Nationalist who seriously attempted to boycott them would end up even more socially isolated and alienated than is normal for our people. Socializing with friends and family often involves watching TV and movies, or at least discussing them.

    There’s also a larger point here: We cannot change the world by disengaging from it. We need to engage it and turn it in our direction. If we want to make a difference, we cannot retreat from the world to preserve our purity. We need to find a way of being in the world, but not of it.

    (C) Boycotting TV and movies is throwing away a golden opportunity to reach our people. The film, television, and advertising industries comprise a vast number of highly intelligent, creative individuals with many billions of dollars of capital at their disposal, with which they create a 24/7 matrix of genocidal anti-white propaganda. White Nationalists cannot compete with that. Sure, we can dream of having our own mass media someday. But that will be after the revolution, not before. So what do we do in the meantime?

    We can’t get our people to turn off the propaganda. We can’t create anywhere enough of our own television and movie propaganda to counter the establishment’s. But we can teach our people to see through the propaganda. And all it takes is a few perceptive and talented writers, the cost of Netflix and a few movie tickets, and a few dollars a month to host a website. Yet for that small investment, we can negate the propaganda churned out by legions of enemies with billions in capital. This is asymmetrical cultural warfare at its best. Our power is limited only by our readership. But on the web, that can grow very quickly.

    Furthermore, I don’t just talk about specific movies and TV shows. I also illustrate the general principles of anti-white propaganda, teaching my readers how to decode propaganda in general. This has two profound effects.

    (1) Whenever a brainwashed person is exposed to propaganda, it reinforces the establishment message. However, when we teach people to see through propaganda, then each new exposure reinforces our message instead. Imagine a young man who stumbles across one of my reviews because he is reading up on a movie he wants to see. He might like my interpretation or hate it. He might even reject my claims about the propaganda content of the film. But if he is bright, he will carry away a template for viewing other films, and he will begin to see the same patterns again and again. Gradually, the establishment’s power over his mind will fade, and the nagging little voice of Trevor Lynch will get louder and louder.

    (2) When people learn to see through anti-white propaganda, they are often shocked by its omnipresence. It is one thing to see propaganda here and there. It is another thing to see it everywhere. Even I am still shocked when I visit friends who have cable. The anti-white message is everywhere: in every cooking program, every cute animal show, every house makeover program. You can’t escape it, and that’s no accident. When you see the omnipresence of the lie, you have a concrete experience of the system’s totalitarian nature and genocidal intent.

    There is, however, a sense in which I boycott television, and I recommend others do so as well. I don’t watch broadcast television, and I refuse to pay for cable. So I don’t watch commercials, and the only TV series I see are downloaded or on DVD. I don’t like being “programmed.” My slogan is “Program yourself.” And I just don’t want to spend the money.

    It astonishes me how much money White Nationalists pay to people who hate them in order to have toxic propaganda piped into their homes. It is even more shocking when you compare your monthly cable bill to your monthly donations to Counter-Currents or other pro-white websites, where people are actually fighting against the lies. So if you feel the need to boycott someone, cancel your cable and subscribe to a monthly donation to Counter-Currents instead. Don’t be the sort of person who pays to be poisoned but counts on the antidote to be free.

    I don’t write reviews just because I want to pan bad movies. I also want to praise good ones. And from a White Nationalist point of view, there are a lot of good movies out there.

    The best movies are what I call the Goebbels Awards laureates. These are movies made by mainstream modern directors that Joseph Goebbels would not change a frame of. These include The Lord of the Rings trilogy, Gangs of New York, A History of Violence, Miller’s Crossing, Cabaret, and Quiz Show.

    Of course, most good movies that are useful from a White Nationalist perspective are also flawed, some of them slightly (like Fight Club or The Dark Knight), some of them deeply (like Pulp Fiction and The Matrix). It often takes some adroit thinking to separate the good elements from the bad.

    But the potential rewards are immense. Many White Nationalists justifiably lament the decline of education and rampant cultural illiteracy. People used to learn Latin, but now they devote their brain power to memorizing sports statistics. People used to read Plato and Shakespeare, but now they stare at shining screens. Kids today know more about Batman than George Washington, more about the Battle of Helm’s Deep than the Battle of Lepanto, more about Middle Earth than the Middle Ages. How can reactionary old cranks live in the past if nobody knows anything about it?

    Now, I would like nothing better than to write essays about Plato, Nietzsche, and Evola for the rest of my life. And I would be doing just that, if my race were not being marched into oblivion. I want to fight, and that means I need to communicate. So I stopped lamenting other people’s cultural illiteracy and started correcting my own: my pop-cultural illiteracy. Because there is no more powerful medium than film at implanting images in people’s minds, and if we know those images, we can use them to communicate our ideas. And as I have shown, one can use Pulp Fiction to teach Plato, Batman Begins and The Dark Knight to teach Nietzsche and Evola, etc.

    As a writer, editor, businessman, and community organizer, I have to divide my time finely and spread myself pretty thin. But if I could delegate some of my jobs to others so I could focus full time on just one thing, I would write movie reviews. Not because it would be the most personally fulfilling, but because there is nothing I can do for our cause that is more effective at unplugging our people from the Matrix and showing them the path toward the White Republic.”

    http://www.counter-currents.com/2011/08/why-i-write-11/

    Here’s an example :
    http://www.counter-currents.com/2010/07/inglourious-basterds/

    There’s also a strange one here from the usually impressive Jonathan Bowden . Here is a comment from it :

    ” I found the movie disgusting. I can’t stand Mel Gibson. He’s a titanic man. He’s artistry is meretricious and a sign-of-the-times. Thus, he goes over the top with depictions of violence and sanguinary scenes. He’s also filled with bravura and the Bard’s adage: “Sound and fury signifying nothing”. Every movie he’s made is full of hot air, ugliness, modern themes, and machismo of a wife-beater: Mad Max, Roby Roy, the Patriot, Lethal Weapon, Apocalypto, the Passion of JC, etc.

    To compare his Passion movie to the rapturous works of Giotto is sacrilege.”

    http://www.counter-currents.com/2011/06/mel-gibsons-the-passion-of-the-christ/

    http://www.counter-currents.com/2010/07/inglourious-basterds/

    Hope you are well .

    • melgibstein says:

      I believe everything “good” is on the jew hit list. I also believe most things are good without jews. I take back the fact I gave a movie a rating of “good”. Each movie has its own jew evil implanted whether it be directed at men, women or kids. The only movies they do well with are fiction because they are liars no matter what they do. I’d agree with you that movies could be good only if Jew movies could be wiped out. Whatever they do in every area they are contrary to us. There is only one solution that over 100 city states already figured out. They just have to go or removed. It will come to that eventually. The police are already being run ragged and most of them are Jews. They will run out of will right when Whites gain theirs.

      Yes and Wahlberg made it alive in “The Perfect Storm” too (he may not be a jew, but after seeing that movie signs point that he is).
      If Jews hate Mel Gibson so much, why is he still all over the Talmudvision? I saw a little of “We Were Soldiers” and it gets jewier each time. Mels Jew wife in the movie and Mel claiming to be a Christian. Its damned ridiculous!

      Mel was in Australia during the Vietnam war and he made a mint acting one in the movies with Jews that are destroying all. People love this guy and completely duped.

      Oddly enough, Mel’s ole buddy, Britney Spears who spent some time with Mel in Costa Rica has converted to Judaism (she was wearing Jew stars years ago). I am betting she has always been a Jew, just not religiously or openly. Others will disagree with that, but how many Christian girls do you know that would have done or been allowed to do what she has done on stage most her life? She is marrying a jew too or already married to one. Whether she was a non jew before makes no difference any more now. She is toast and its obvious Mel had no influence in changing her over. They both worship Jew arse.

  3. GTRman says:

    Another astute comment from the “Passion ” article :

    ” Iranian for Aryans
    Posted June 19, 2011 at 8:51 pm | Permalink
    FofC,

    I suggest we also start making pornographic movies as well. Besides relieving the sexual tension of our Nordic constituency, we put in some subtle propaganda that would make them think politically.

    Silliness aside, the “Passion” made the Romans the bad guys and not the Jews. Furthermore, the “let his blood be upon us and our children” was not translated by Gibson but left in the original Aramaic. Iow, he undid the most important and central message of the movie.

    When Is the WN “movement” going to stop promoting debased ugliness and putting its faith in deadend endeavors? ”

    http://www.counter-currents.com/2011/06/mel-gibsons-the-passion-of-the-christ/#comment-8300

  4. melgibstein says:

    Funny how in none of the movies about Jesus was Hannakuh even celebrated or even mentioned. Look around the internet as to when Hannakuh became a celebration.
    ~~~~~~~~~~~~~~~~~~~~~~~~~~
    Hanukkah commemorates the Maccabean War of 165 BCE, but there is no written record of any Hanukkah celebrations until about 500 years later.

    Read more: http://wiki.answers.com/Q/When_did_Hanukkah_start#ixzz1g4ye3k8N
    ~~~~~~~~~~~~~~~~~~~~~~~~
    Question:

    When did Chanukah become an official Jewish holiday? I know that the Holy Temple was reclaimed by the Maccabees in 139 BCE, but when did Jews start kindling Chanukah lights, eating latkes and playing dreidel?

    Answer:

    When the miracle of the oil occurred in 139 BCE, the Jews celebrated. The rabbis then proclaimed that these eight days should become an annual holiday on the Jewish calendar. So on the next year, 138 BCE, Chanukah was celebrated for the first time—complete with the lighting of the Chanukah Menorah.

    As for eating latkes and playing dreidel, it’s less clear when these traditions began. But both these customs are certainly many centuries old, and have become venerated customs practiced by Jews worldwide.

    Chaya Sarah Silberberg,
    Chabad.org
    ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
    The word Hannakuh or Chanakuh didnt even exist. Never underestimate what Jews will steal. They dont limit themselves to anything in that department. In order to be Gods chosen people they have to steal things. They certainly dont follow anything in the Old Testament. They are the usurers, their lineage goes through the mother not the father, Moses never said a word about Judaism, nowhere does it say Jews can or should lie to others (its all Babylonian crap). They have no relations to the Maccabee’s whatsoever. They are fathers of liars barr nunn.
    Moses was an Egyptian and if he wrote something down it was not in Hebrew. Jesus spoke to his apostles in Koine Greek. Why would Jesus speak in Greek if he had this hatred for Greeks as Jews still have. Greeks were Gentiles (related). Gentile means kindred. Jesus was the kinsman redeemer.

    I just heard David Duke speak about Hannakuh. He has no clue what he is talking about and there is a reason why people are deliberately lying about this. You wont ever hear Duke in an interview with someone that knows what they’re talking about and meanings of words.
    Gibson did the movie in Aramaic and said actions will speak louder than words or something like that. What he meant was the hooked nose on Jesus would keep the Jew lie alive and well. Nowhere on earth will you see a picture of Jesus with a hooked nose.
    You are 100% correct about the Romans. He made it look as if the Romans were the culprits when in the Jewish Talmud it says Jews did it. The truth is it was the Jews who say they are Jews and who are not that did it with the help of some real Jews (without hooked noses). Paul was one of them who was completely under the spell of the impostors as many of us are right now. But Jesus knew what he was doing and laid down his life.
    If Jews read their own book they wouldve known it was prophecy ( the truth is it isnt their book and never was).

  5. GTRman says:

    Heartbreaking documentary . A microcosm .
    This is part 1 of 7 :

    Halfway through , you can see where it’s going .

    • melgibstein says:

      Just watched the first part and it already made me sick. Jews, crime and food is about as sickening as it gets.

      That name Mott as a prefix is usually followed by a zoh I have noticed with many of these prefixes.

      Jacob Jake LaMotta for one.

  6. GTRman says:

    ( By that , I mean half-way through the whole doc , not part one – just to clarify )

  7. GTRman says:

    Guys : Last night I watched ” The Human Centipede 2 : The Full Sequence “..

    So YOU dont have to …

    As far as I know , Tom Six is neither jew nor queer . Although his first film was called
    ” Gay in Amsterdam ”

    LOOK AWAY NOW : Here is what was taken OUT of the film :

    ” In October 2011, the BBFC granted the film an 18 certificate after 32 compulsory cuts totalling 2 minutes and 37 seconds were made. The cuts included: Martin masturbating with sandpaper around his penis; graphic sight of a man’s teeth being removed with a hammer; graphic sight of lips being stapled to naked buttocks; graphic sight of forced defecation into and around other victims’ mouths; Martin with barbed wire wrapped around his penis violently raping a woman; a newborn baby being killed; and the graphic sight of injury as staples are torn away from individuals’ mouths and buttocks.”

    That’s entertainment , folks , in the year of our jew , 2011

    http://en.wikipedia.org/wiki/The_Human_Centipede_2_(Full_Sequence)

  8. GTRman says:

    Nothing short of miraculous can change this game . Maybe it is folly , al la King Canute , to even try.
    Maybe this truly is the dark age of ” Kali Yuga ” , when jews will naturally thrive , as blow-fly maggots thrive on dead flesh .

    Perhaps all we can do is observe , report , and try to sleep soundly .

  9. GTRman says:

    The centipede film is merely a logical conclusion . In “Grease” , the virginal ( “lousy with virginity ” ) Sandy is only accepted when she is transformed into an S and M leather-clad slut . In “Jews ” , sorry , “Jaws” , there are two jews and a “nasty” white man on a boat . The two jews survive .

    We could , of course , go on and on .

    • melgibstein says:

      I suppose it was Mengele doing this operation?

      • GTRman says:

        Funny you should say that , mel :

        ” The Human Centipede (First Sequence) is a 2010 Dutch body horror film written and directed by Tom Six. The film tells the story of a German doctor who kidnaps three tourists and joins them surgically, mouth to anus, forming a “human centipede”. It stars Dieter Laser as the villain, Dr. Heiter, with Ashley C. Williams, Ashlynn Yennie, and Akihiro Kitamura as his victims. According to Six, the concept of the film arose from a joke he made with friends about punishing a child molester by stitching his mouth to the anus of a “fat truck driver”. Six also stated that inspiration for the film came from Nazi medical experiments carried out during World War II, such as the actions of Josef Mengele at the Auschwitz concentration camp.”

        ” Six has stated that The Human Centipede is, to an extent, a reflection on fascism. Dieter Laser, who played the antagonist Dr. Heiter, said during the promotion of the film that he felt the guilt of Nazi actions during the war had haunted ordinary Germans for generations, and that as a German whose father participated in the war, he often felt “like a child whose father is in jail for murder.”[21] The inclusion of a German villain came from this, with Six citing both the German invasion of the Netherlands during World War II and the Nazi medical experiments as inspiration.[22] Laser stated in an interview with Clark Collis for Entertainment Weekly that he considered the film a “grotesque [parody] about the Nazi psyche”.[5] Heiter’s name was an amalgamation of several Nazi war criminals, his surname (literally meaning “cheerful” in German) a combination of the names of Nazi doctors Fetter and Richter, and his first name coming from Josef Mengele, who carried out experiments on prisoners at Auschwitz concentration camp.[23] World War II also played an influence on the nationality of the other main characters who were American and Japanese.”
        http://en.wikipedia.org/wiki/The_Human_Centipede_(First_Sequence)

      • melgibstein says:

        I had a feeling Mengele (or German Celts) were to blame. You can bet if theres a madman in the movies its a Nazi of some kind. I could give you a dozen movies just off the top of my head, Hostel, The Unborn, Girl with the Dragon Tattoo, Marathon Man and on and on and on. Its all complete jew programming right in our faces and the idiots just cant get enough of it. Did I mention Bear Jew in Inglorious Basterds?
        Guys like Chuck Carlson and his ilk are blaming white people for Behr Jew Breivik’s recent attacks in Norway. The shills never said Jews or Israeli’s had anything to do with this shooting and bombing (and so obvious right from the start) and now the facts are getting out that they most certainly were. They are the same people that denied Loughner being a jew. Jews and their propagandists dont care that the truth will get out later, its important for them to stifle it immediately and then let it simmer away into the past and then let the facts out on the back page. He and others (Carlson and the Ugly Truthers) are so concerned for Muslims that they are willing to put the blame on Whites (another crypto Jew strategy to destroy White Christians). They also speak of the Chuck Hagee’s and co. as White Christians. White Christians dont praise Jews. Dumb misled Whites may praise Jews, but not Christians. A real Christian seeks the truth and openly debates it. When this chump is on RBN with Robbie (the Rhodesian Golden boy) Noel he doesnt take any calls (some radio is entirely controlled, callers and all- you will know when you try to call yourself). They want the propaganda to be unscathed. Its important to shut off the phones completely when spreading lies or its all for naught.

  10. melgibstein says:

    http://www.ynetnews.com/articles/0,7340,L-4159975,00.html

    Heading: New York-Man Accused of Molesting Orthodox Kids

    In other words he isnt a religious Jew, just a heathen Jew (not specified to be a jew at all). And Loughner wasnt a Jew, Behring Breivik wasnt a Jew, Jorge Puello wasnt a Rabbi or even a Jew, Rabbi Rosenbaum and co. werent Rabbi’s.
    It just wont end until they are stopped cold.

    • GTRman says:

      The jewess reporter here describes the pervert as “handsome ” and “movie star good looking ” . How sick :

      Orthodox sex abuse scandal
      117 kid victims and 85 arrests in Jewish enclave

      He looks like a movie star, but many members of Brooklyn’s Jewish community believe he is a monster.
      Andrew Goodman, 27, who worked for Jewish social-service agencies, is charged with sexually abusing two Orthodox boys for years in Flatbush — one from age 11 to 15, the other from age 13 to 16.
      Goodman filmed sex acts with the youngsters on a Web cam, according to the 144-count indictment, which alleges numerous violations since 2006. He has pleaded not guilty.
      The handsome Goodman, who held parties in his home with liquor and child porn, also “threatened the life” of a boy who reported him to authorities, court papers and sources say.
      He’s one of an astounding 85 accused Orthodox child molesters that Brooklyn District Attorney Charles Hynes’ office says it has busted in the past three years in an initiative called Kol Tzedek, Hebrew for “voice of justice.”
      The cases involve 117 victims — a number that has the community reeling from the extent of the horrors of pedophilia.

      Read more: http://www.nypost.com/p/news/local/brooklyn/orthodox_sex_abuse_scandal_Vzaqd3TbKtikUv0h6b3clI#ixzz1gtqafq46

  11. Barney says:

    As just one example of the power of the visual media, I remember once, a long time ago now, I was watching a feature film on tv. I don’t know what it was, and neither do I remember the male lead, but I believe the female lead was Shelley Duval, a female version of Marty Feldman with the bulging eyes.

    At the start of the film I couldn’t understand how anyone could consider her even mildly attractive, but she was portrayed as a beautiful, loving, caring individual, and by the end of the film I was actually regarding this bug-eyed monster in a sympathetic manner.

    That took one and a half hours.

    It didn’t last. I came to my senses and saw the creature as it really is, but it showed me how persuasive the electric jew can be. From that short sample we can only imagine the effect on someone who chooses to watch jew-inspired brain rot from getting home from work right through to bedtime, as I once did before I woke up to the brainwashing.

    Nowadays I only see the electric jew when I’m visiting friends, but I make sure I’ve got my “They Live” sunglasses on.

    Btw, I don’t have a link, but for anyone who hasn’t seen it, “They Live” is available on the internet. I downloaded it (cost free) earlier this year.

    • melgibstein says:

      The only problem with the movie “They Live” is I think Carpenter may have been a jew. He has had dybuks in 2 movies. Watch the new version of “The Thing” and “The Fog” and you will see the same creature that is called a dybuk in “The Unborn” (has plenty of bathroom nudity and blue dye Mengele stuff mixed in).

  12. こまねこ says:

    What could possibly drive all these diverse groups across the centuries all over the world to such an “irrational hatred”?

    It would seem that the best way to really achieve global unity would be to have everyone express their “hatred” of this innocent tribe of peddlers and philosophers.

  13. こまねこ says:

    THE OLD TESTAMENT PROPHETS

  14. GTRman says:

    Trevor Lynch’s review of ” Inglorious Basterds ” over at counter-currents is interesting : He makes a decent case for it being almost an “anti-semitic ” movie , as the jews are all played as charmless violent thugs with no redeeming features ; the Germans on the other hand are handsome , charming , noble , etc .

    Worth a read :

    http://www.toqonline.com/blog/inglourious-basterds/

  15. GTRman says:

    Excerpt :

    ” ..The climax of Inglourious Basterds is obviously based on the Oscar night massacre in neo-Nazi Harold Covington’s novel The Brigade. If you don’t believe me, read the novel for yourself.
    The symbolism and the message could not be clearer: Jews use movies and movie theaters as tools to destroy their enemies. And since the white people in the audience can most readily identify with the Germans, the message gets through: the Jewish movie business is a tool of hatred and vengeance directed against all white people.
    Why would Quentin Tarantino make a movie about World War II in which Germans are portrayed as attractive human beings, Americans are portrayed as sadistic buffoons, Englishmen are portrayed as effete wankers, and Jews are portrayed as cold-blooded, inhuman mass murderers?
    Why would Quentin Tarantino borrow plot elements from neo-Nazi Harold Covington’s The Brigade to craft a climax for his movie? Why would he use that climax to expose the true anti-white agenda of Hollywood?
    Is Quentin Tarantino a Nazi-sympathizer?
    Of course not. Nothing could be further from the truth. Quentin Tarantino is simply a nihilist with an unfailing instinct for finding and desecrating anything sacred. In Pulp Fiction — his one great movie, and his most sincere — Tarantino showed a profound grasp of the spiritual meaning of the duel to the death over honor, symbolized by the Samurai sword. In Kill Bill, vol. I, he made a giant joke of it.
    In Inglourious Basterds, Tarantino has taken the one truly sacred myth in modern Jew-dominated America — especially in modern Hollywood — namely WW II and the holocaust, and he has desecrated it by inverting all of its core value judgments and reversing its stereotypes. In the process, he has exposed the true anti-white agenda of Hollywood. Why? Just because he can.
    The fact that Quentin Tarantino could desecrate the holocaust, expose Hollywood’s agenda, and sell it back to Hollywood’s Jews is a testament to his twisted genius and their shallowness and moral imbecility…”

    • melgibstein says:

      “Nothing could be further from the truth. Quentin Tarantino is simply a nihilist with an unfailing instinct for finding and desecrating anything sacred.”

      He is doing what Jews hold sacred and he is just doing it out in the open. Its the more subtle jews that sit in a room planning to break down our past, our religion, divide us by country, by gender, age, etc etc. You have to wonder why they hate us so much. Is there something much deeper they hate us about? I think so.

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